Showing posts with label MAD MAX. Show all posts
Showing posts with label MAD MAX. Show all posts

Tuesday, April 3, 2012

MAD MAX - Another Night Of Passion (2012)

MAD MAX - Another Night Of Passion (2012)

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German Hard Rock group MAD MAX seems to have never really made it big outside Europe. Of course, they did have their loyal legion of fans, but not as large as they deserved back in a day.
Since the debut album in 1982, Mad Max has issued nine full-lengths throughout their career, which had some large gaps between due to time spent disbanded and their leader and founder Michael Voss different projects.
But lately Mad Max has found stability, releasing fresh material every two years, and now it's time for the brand new CD "Another Night Of Passion".

Even though recorded few months ago, "Another Night Of Passion" carries enough of a somewhat analog sound that one might expect from a release of this kind back in the eighties.
The clean vocals often stand out well here when the music moves a little slower, or leaves things a bit open. During the faster tracks with a richer sound, such as "You Decide", they can be a little less dominant in favor of the subtle guitars that establish a catchy rhythm against the lighter rock distortion of the guitars.
The cymbals of the drum kit don't really sound too impressive, coming off slightly muddied compared to the tighter snares with a very small echo found, and the deeper thud to the bass kicks.
But, no matter what song, it really captures the spirit of the eighties, and perfectly suits that brand of music Mad Max performs, offering more than just a nostalgic trip.

This release really seems to offer two different types of songs: the classic Hard Rock approach, and the fun and melodic radio friendly sound.
"Rocklahoma" has a lot of energy behind it, an upbeat arena hard rocker with a contagious chorus. It's a party anthem written in homage to their 2009 and 2010 appearances at the three-day festival of the same name in Pryor, Oklahoma.
"40 Rock" carries a sticky chorus as well, while the main verses don't necessarily offer up anything more than just a simple, catchy rockin' structure that will leave the listener feeling good. A good track reminiscent of Voss' earlier band Casanova.
This is a stark contrast to the edgier anthem "Metal Edge". The song is handled with a slower yet heavier pace and it's plenty of chugging chords with eighties style clean vocals thrown in, which are sometimes layered or find gang chant elements here and there. A solid and dynamic track.

One of my favorites of the CD is "Fallen From Grace", a US eighties influenced song starting with a moody intro, an irresistible set of harmony backing vocals and Don Dokken-esque phrasings. The melody has a slightly haunting tone, especially at the start with the acoustic rhythm guitar behind the heavily echoed lead solo. The chorus is infectious with a slightly emotional touch thanks to the solid guitar chords and vocals with a hint of extra enthusiasm.
"Black Swan" has a sharp riff, a track that blurs the lines between Euro metal and melodic hard rock with its intense drumming and soloing.

"The Chant" mixes eighties with nineties sounds, overall pretty heavy but melodic thanks to the energy captured in the music and vocals in many parts, as well as the stronger bass presence that really makes it infectious thanks to those quicker chords being performed against everything else.
"Fever Of Love" is a The Sweet cover, a commercial catchy track full of harmony vocals and the big guitar riff keeps you coming back for another listen.
Having said that not quite everything hits home with the same long lasting consistency, as "Back And Alive" feels just a little too generic, and the final and instrumental track "True Blue" sounds uninspired.


"Another Night Of Passion" is much more solid than Mad Max's previous album, with a good amount of diversity to the music mixing edgy tracks with melodic tunes, remaining faithful to the band's eighties pedigree.
Stylistically, the sound of Mad Max is lean, tight and full of nice vocal harmonies, cool riffs and rockin’ melodious solos.
Chief Michael Voss is a good songwriter & arranger, and instinctively knows what better works within the band's sphere, but surprisingly the production isn't the best.
On a side note, be aware: the digital download of this album presents several noises on the last track (and an awful sound on it). Better get the special double CD edition which includes a bonus live disc.
It's good to see and hear the proper Mad Max back in business. With "Another Night Of Passion" they have proved to be an outfit that still has a lot to say, and well worth hearing.


01 - Rocklahoma
02 - 40 Rock
03 - Metal Edge
04 - You Decide
05 - Welcome To Rock Bottom
06 - Fallen From Grace
07 - Black Swan
08 - Back And Alive
09 - The Chant
10 - Fever Of Love
11 - True Blue


Michael Voss – lead vocals, lead guitars
Jürgen Breforth – rhythm guitars
Roland Bergmann – bass, vocals
Axel Kruse – drums




BUY IT !
www.amazon.co.uk/Another-Night-Passion-Mad-Max/dp/B0068KIP6M

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Monday, August 29, 2011

WOLFPAKK - Wolfpakk (2011)

WOLFPAKK - Wolfpakk (2011)

Michael Voss (Ex-Casanova, Mad Max) and and Mark Sweeney (Ex-Crystal Ball) have known each other for a long time, always having in mind and discussion to start a project together one day.
Since Michael Voss was producer for Sweeney's 2nd solo album in 2009, it has finally happened that the two found time for this collaboration; WOLFPAKK.
Written by the two, and performed by them alongside more than thirty guest musicians including legends Paul Di'Anno, Tony Martin, Jeff Scott Soto, Rob Rock, Mark Boals, Tim Ripper Owens, Tony Franklin, Mat Sinner, Neil Murray, Tommy Denander and more.
The combo sounds pretty cohesive and band-like for the most part, but some tracks simply don't work.

After an 'orchestral' intro, opener "Sirens" is a faster double bass anthem rocker with an intense double-lead vocal by Sweeney / Voss. A cool track but to me sounds a bit forced.
Follower "Dark Horizons" is more authentic. This song has a classic European hard rock / metal mold with a 6/8 tempo and good, melodic guitars.
I can't dig "Lost". It's a progressive-tinged hard-rock-sympho that goes nowhere. The addition of female vocals on the chorus is a mess.
Things get much better on the Accept-like "Slam Down The Hammer". Here is where the band/duo sounds on full cylinders. Big chorus, great guitars, a groovy riff and the best Voss vocals on the entire recording.
"The Crow" has a Helloween vibe in the songwriting (specially the chorus) but the sound is more light and accessible. Fine song.

"Let Me Die" is one of the best tracks on offer. The opening brings the epic to mind immediately, this is a very classy euro metal song. Features many vocalists smoothly layered together and the atmosphere (including the dramatic narrative within its middle) is typically '80s.
The other song that sold me on this recording is "Reptile’s Kiss". Easily the most catchiest tune here, with all the good ingredients of the best Hard Rock era. I wonder why they don't have penned more tracks like this one.
"Ride The Bullet" returns to the Accept pattern, and works really well. It's a hot hard rocker with razor guitars and cool lyrics.
Last track "Wolfony" is a long semi-suite that brings all the metal-related genres together, although not all successfully. You have here blistering guitar solos, big cathedral keyboards sounds, epic choruses, double-bass drums and some high pitched vocals. Not bad, but Helloween has done this much better in the past.


"Wolfpakk" is a good project / album, with highs and lows.
It's an ambitious recording from these talented musicians, I mean, not ground-breaking musically, but yes on the genre/style approach.
Sweeney, and particularly Voss, are well known for their melodic rock pedigree, and here, both have tried something different.
"Wolfpakk" is basically euro hard 'n heavy with some epic metal overtones, focused on a strong and powerful sound. As said, works for the most part, sometimes not.
The vocal guest list is impressive, but apart from Tony Martin on one track and the female singers on a couple, no other can be distinctively heard.
Production is only correct, strangely from Voss, known for his usually crisp material. Surely they wanted an edged aura to give the music a less polished sound, but for me, that isn't a bonus.
"Wolfpakk" is not always successful, but when it gets it right, it nails it in a good way. This is perhaps a disc where you'd pick the cream of the crop as individual tracks, not as a whole.
Anyway, give it a listen, and decide yourself.


01 - Sirens
02 - Dark Horizons
03 - Lost
04 - Slam Down The Hammer
05 - The Crow
06 - Wolfpup
07 - Let Me Die
08 - Reptile's Kiss
09 - Ride The Bullet
10 - Wolfony


Michael Voss - vocals, guitar, lyrics, music, mixing, production
Mark Sweeney - vocals, lyrics, music, mixing, production

Guests Vocals:
Paul Di'Anno (Ex-IRON MAIDEN)
Tony Martin (Ex-BLACK SABBATH),
Jeff Scott Soto (Ex-MALMSTEEN, TALISMAN)
Rob Rock (IMPELITTERI)
Mark Boals (Ex-MALMSTEEN)
Tim Ripper Owens (Ex-JUDAS PRIEST)
Paul Shortino (Ex-QUIET RIOT, ROUGH CUTT)
Mark Fox (Ex-SHAKRA)
Michaela Schober (TANZ DER VAMPIRE)
Jean-Marc Viller (CALLAWAY)

Bass:
Tony Franklin (Ex-BLUE MURDER, ROBERT PLANT)
Mat Sinner (SINNER, PRIMAL FEAR)
Matthias Rethmann (Ex-LeeZ, SILVER)
Nils Middelhauve (XANDRIA)
Neil Murray (Ex-WHITESNAKE)
Barend Courbois (VENGEANCE)

Guitars:
Jgor Gianola (U.D.O.)
Andy Midgeley (POWER QUEST)
Ira Black (Ex-VICIOUS RUMOURS, LIZZY BORDEN)
Torsten Koehne (EDENS CURSE)
Doc Heyne (BISS)
Tommy Denander (RADIOACTIVE, PAUL STANLEY)
Nadja Kossinskaja (PETER MAFFAY)
Freddy Scherer (GOTTHARD)
Olaf Lenk (AT VANCE)
George Solonos (TOMMY LEE)

Keyboards:
Alessandro DelVeccio (GLENN HUGHES, IAN PAICE)
Ferdy Doernberg (AXEL RUDI PELL, ROUGH SILK)

Drums: Gereon Homann (EAT THE GUN)









BUY IT !
www.wolfpakk.net

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Wednesday, August 11, 2010

MAD MAX - Welcome America (2010)



MAD MAX, the legendary german band, returns with the brand new recording "Welcome America".
The title was chosen, according to the booklet, in order to thank the American fans who received the Munich quartet so heartily on her first, long awaited U.S. visit in 2009 at the Rocklahoma festival.

Michael Voss is somehow an omnipresent person in the melodic rock scene, either as producer or musician.
He has given this album a typical eighties sound, with a modern update, not too far from the band's last album.
It sounds clean and tight all round, a solid work on the cut line of Melodic Rock and Hard Rock.

The disc manage to help you have very good time only with their nice melodies without overacting at all. Simple tracks, sweet harmonies and some rockers for a nice easy listening time.
This is precisely the biggest plus of "Welcome America": MAD MAX gives the listener a good, relaxed feeling. This is much more than most bands can claim.


01 - Welcome America
02 - Big Wheel
03 - Someone Not Me
04 - All I Ever Want
05 - Cherry Moon
06 - Pinky Promise
07 - Shape Of Your Heart
08 - Signs
09 - Awesome
10 - My Heart's Been Waiting
11 - This Means Nothin'

Produced by Michael Voss


Michael Voss - lead vocals, electric & acoustic guitars
Juergen Breforth - electric & acoustic guitars
Roland Bergmann - bass, vocals
Hans In 'T Zandt - drums

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